On a crisp Wednesday in London, the steps of Spencer House became the unlikely stage for a fashion history lesson. Margot Robbie arrived for the photocall of Emerald Fennell’s Wuthering Heights, looking less like a tragic Yorkshire heroine and more like a fever dream of the early nineties. It was the kind of arrival that demands immediate scrutiny from the front row and the archives alike. This was not merely a dress. It was a calculated reclamation of the John Galliano for Dior Spring/Summer 1992 collection.
The look, originally famously modeled by Helena Christensen, belongs to Galliano’s "Napoleon and Joséphine" era. It is a masterclass in historical subversion.
Robbie wore a full-length duster coat in a delicate light green toile de Jouy. The silk brocade fabric provides a structured yet fluid silhouette. Pale pink feathered plumes erupt from the cuffs and neckline. It is a silhouette that feels both regal and inherently rebellious. The garment was held together by four hooks at the sternum. This left her midriff exposed, creating a sharp tension between the Victorian modesty of the coat and the modernity of her physique.
Underneath the coat, the styling took a sharp turn into the provocative.
Robbie stayed faithful to the runway presentation by sporting a black micro-miniskirt and a garter belt. This belt anchored vibrant red thigh-high stockings. Each stocking was finished with a delicate pink silk ribbon. It is a daring choice for a film promotion based on an 1847 novel, yet it captures the chaotic, wild energy of Catherine Earnshaw.
Stylist Andrew Mukamal has clearly moved beyond the literalism of the Barbie tour. While that project was about replication, the Wuthering Heights tour is about atmospheric interpretation. Mukamal, a self-described history enthusiast, spent time with the film's costume designer, Jacqueline Durran, to ensure the red carpet narrative aligned with the cinematic one. The result is a Catherine who has traded the moors for the mastery of 1990s Parisian couture.
The footwear choice was a subtle pivot from the original 1992 runway. Instead of the fuller coverage, two-toned shoes worn by Christensen, Robbie opted for icy blue-gray satin d’Orsay pumps by Manolo Blahnik.
These custom silver-toned heels added a touch of icy cool to the warm reds and greens of the outfit. To ground the eccentricity, she wore diamond and pearl hoop earrings from Jessica McCormack. At certain moments, she donned thin black sunglasses. These frames acted as a sharp, modern punctuation mark to an otherwise romantic ensemble. It was a nod to the original styling of the nineties show.
Archival pulls have become the new currency of the A-list. In an era where custom couture can sometimes feel predictable, reaching back thirty-four years for a Galliano piece creates a different kind of cultural gravity.
It signals an intellectual depth. It tells the public that the actor understands the lineage of the character they are portraying. This specific Dior look, pulled from a time when Robbie was not yet two years old, feels incredibly fresh in the current market. It bridges the gap between historical drama and high-fashion editorial.
The film itself is set to hit theaters on February 13. It promises a high-octane emotional range. Robbie recently noted that her character essentially cries in every single scene. The contrast between that raw vulnerability and this polished Dior armor is striking. On the balcony of Spencer House, Robbie posed alongside co-star Jacob Elordi. Elordi, playing the brooding Heathcliff, provided a somber, dark-suited foil to Robbie’s vibrant Galliano display.
The market context for this tour is significant. We have already seen Robbie in Schiaparelli, Chanel, and Thom Browne during this run.
However, this vintage Dior moment feels like the definitive statement. It proves that Robbie and Mukamal are the reigning champions of "method dressing." They are not just selling a movie. They are creating a visual lexicon that will be studied for seasons to come.
Robbie and Mukamal have successfully turned a press tour into a curated exhibition. This Dior moment is the crown jewel of the run so far. It is a bold, intellectual, and visually arresting tribute to both Galliano’s genius and Brontë’s enduring legacy.
Frequently Asked Questions
What designer did Margot Robbie wear to the Wuthering Heights London photocall?
Margot Robbie wore a vintage look from the Dior Spring/Summer 1992 collection designed by John Galliano. The ensemble featured a light green toile duster coat with pink feathered trim.
Who is Margot Robbie’s stylist for the Wuthering Heights press tour?
Robbie is styled by Andrew Mukamal. He is the same stylist responsible for her iconic Barbie press tour looks and is known for his deep historical research into fashion archives.
When does the Wuthering Heights movie starring Margot Robbie come out?
The film, directed by Emerald Fennell and starring Margot Robbie and Jacob Elordi, is scheduled for release in theaters on February 13, 2026.
What are the specific details of the vintage Dior coat Robbie wore?
The coat is a full-length silk brocade duster in light green toile de Jouy. It features pale pink feathered plumes at the collar and cuffs and is secured by four hook-and-eye closures at the sternum.
What jewelry did Margot Robbie wear with her Galliano look?
She accessorized the archival Dior outfit with diamond and pearl hoop earrings from Jessica McCormack. She also briefly wore thin black nineties-style sunglasses.
Where did the Wuthering Heights London photocall take place?
The photocall was held at the historic Spencer House in London on Wednesday, February 4, 2026.
Who originally modeled this Dior look on the runway in 1992?
The look was originally worn by supermodel Helena Christensen during the Dior Spring/Summer 1992 "Napoleon and Joséphine" runway show.
Did Margot Robbie wear any other notable jewelry during this press tour?
Yes. During the Los Angeles premiere, she wore Elizabeth Taylor’s Cartier Taj Mahal necklace. Later, she was seen wearing a red velvet choker featuring over 100 carats of Lorraine Schwartz diamonds.
