The Gabbriette and Matty Healy wedding on July 18 required a sartorial approach untethered from traditional matrimony. The Los Angeles setting at Castillo del Lago provided a fittingly dramatic backdrop. This 1926 Spanish Colonial Revival estate was once home to Madonna. It is a venue rooted in Hollywood history. The event functioned as a masterclass in controlled subversion.
Bridal wear rarely intersects with dystopian design. Gabbriette sought out Matières Fecales to bridge this exact aesthetic gap.
Hannah Rose Dalton and Steven Raj Bhaskaran lead the Paris-based label. They built a cult following on politically charged collections and couture-level execution. This project marks their very first bridal commission. A final fitting at Dover Street Market Paris revealed the scope of their work. The design duo produced thirty initial sketches before finalizing a highly technical three-look wardrobe.
The garments took more than four months to carefully craft.
Gabbriette approached her wardrobe as a cohesive narrative. The pre-wedding look established the tone immediately. Dubbed the Leigh, it utilized a vintage black Martin Margiela dress pulled from her personal archive.

The designers modified the Margiela piece with their signature déchiré technique. Soft white tulle cascades from the slashed back and hemline. The aesthetic draws direct inspiration from Francis Ford Coppola’s Bram Stoker’s Dracula. It serves as her obligatory something old. Yet it rejects the sterile purity usually associated with the eve of a wedding. Black felt entirely correct here.
The main wedding dress carried the heavy expectations of the day. The team appropriately nicknamed this piece Gabriella.
Constructed from white silk taffeta, the gown features a drop-waist silhouette and a meticulously hand-pleated bodice. The architecture of the lower half is anchored by a triple bustle and a sweeping train. Edges of the fabric remain raw and torn. This signature tearing technique gives the garment a deliberately ragged appearance. It balances the pristine nature of the silk with an intentional structural decay.
A Stephen Jones veil completed the primary bridal ensemble perfectly.
The millinery was pinned securely beneath a half-up beehive hairstyle. This styling choice subtly referenced Lydia Deetz. The footwear was a pair of curved-heel white satin pumps created by Christian Louboutin and Matières Fecales.

Healy opted for a classic custom Paul Smith black tuxedo. This traditional menswear choice provided a sharp contrast to his bride's avant-garde styling. It allowed the complex textures of the Matières Fecales gown to command full visual attention. The ceremony took place in the backyard of the estate. Guests included prominent industry figures like Charli xcx and George Daniel.
The after-party look shifted the mood entirely. The Healy was designed for movement and celebration rather than formal ceremonial stillness.
This third ensemble is a two-piece suit crafted from buttery lamb leather. It features fur trims and matching déchiré tulle at the sleeves and pant hems. Gabbriette paired it with a custom white satin riding hat by Stephen Jones. The result channels a very specific late-nineties pop star energy.
It is an uncompromising wardrobe built on the foundation of dark glamour.
Market context reveals a growing appetite for this level of subversion. The bridal sector has remained stagnant with traditional lace and tulle for decades. Consumers are slowly demanding highly personalized narrative garments. The inclusion of a black diamond engagement ring further underscores this shift. Surrounded by a halo of white diamonds, the stone signifies personal transformation and grounding rather than mere tradition.

Gabbriette proved that bridal is exactly whatever the wearer wants it to be. The collaboration with Dalton and Bhaskaran was clearly a labor of love. It redefined modern matrimonial dressing with extreme precision.
The emotional weight of the fittings at Dover Street Market Paris was palpable. Gabbriette brought her mother Chayo Bechtel and best friend Bailey Quinones to witness the final adjustments. A dedicated team of five artisans spent countless hours ensuring the silk taffeta moved correctly. Seeing the physical garments align perfectly with the original sketches brought a sense of distorted fantasy to the sterile fitting room.
This meticulous craftsmanship elevates the unconventional designs into the realm of modern couture. Every stitch had a purpose.
The fashion industry will undoubtedly dissect this bridal moment for upcoming seasons. Traditional white gowns are no longer the absolute standard for high-profile nuptials. Gabbriette successfully shifted the paradigm toward textile storytelling.
Frequently Asked Questions
Who designed Gabbriette's wedding dresses?
Canadian designers Hannah Rose Dalton and Steven Raj Bhaskaran of the Paris-based brand Matières Fecales designed the dresses. This project marked the brand's first-ever bridal commission.
Where did Gabbriette and Matty Healy get married?
The couple married on July 18, 2026, at Castillo del Lago in Los Angeles. This 1926 Spanish Colonial Revival mansion was formerly owned by Madonna.
What was the inspiration behind Gabbriette's pre-wedding dress?
The pre-wedding look was loosely inspired by Francis Ford Coppola’s Bram Stoker’s Dracula. It featured a vintage black Martin Margiela dress repurposed with soft white tulle and torn details.
What kind of engagement ring does Gabbriette have?
Matty Healy proposed with a black diamond ring featuring a halo of white diamonds. Experts note that black diamonds symbolize power, elegance, mystery, and personal transformation.
What is the déchiré technique used on Gabbriette's gown?
Déchiré is a French term meaning torn. The designers used this signature technique on the tulle edges of the garments to create a deliberately ragged and deconstructed appearance.
What did Gabbriette wear to her wedding after-party?
She wore a two-piece suit made of buttery lamb leather with fur and torn tulle trims. The look was accessorized with a white satin riding hat by Stephen Jones and Christian Louboutin pumps.

